‘You
have to dream. It’s only this one life, remember! Watch the very old;
many look shell-shocked, like they’ve just got off a dizzying
roller-coaster, their faces asking: “How did an entire lifetime go by in
a flash?”’
In
the last century, the celebrated writer Virginia Woolf lecturing to a
group of women graduates in Cambridge, told them what they needed if they
ever wanted to write was an income of £500 a year and a room of one’s
own.
Take
that statement and apply it to your deepest impulses: Woolf’s was to
write. Yours may be to sail or surf, paint or sing, or be an architect,
doctor, lawyer or poet - whatever.
You
have to dream. It’s only this one life, remember! Watch the very old;
many look shell-shocked, like they’ve just got off a dizzying
roller-coaster, their faces asking: “How did an entire lifetime go by in
a flash?”
It’ll
happen to us all. So dream, dream. Don’t ever stop, or you will have
nothing to look back at, nothing heady to recall. Ok, we’ve got the
dream, and now we’ve got to translate that £500 a year to a realistic
figure. What will it take for you to fulfill yours?
In
this game, simply making more money for the sake of money does not count
as a dream. It is merely an exercise for people without imagination, who
see cash as an end. Who buy into the fake cardboard dreams of houses,
cars, and growing numbers in an account, rather than see money as a tool
to allow them to lead lives rich with experience.
Getting
married or longing for the perfect relationship doesn’t count as a
dream. Neither does meeting prince charming or winning that perfect woman.
Attaining your freedom from unhappy liaisons counts as a dream. Because
harsh as this may sound, once you base your entire happiness on someone
else, expect someone else to complete you, then you are condemned to live
the life of a puppet, based on someone else’s life (even if they are
your children).
What
Woolf means when she refers to the £500 a year, is the need to buy time
and space, physical and emotional, so you can do what you’ve always
wanted to do. For some it’s a multitude of unexplored possibilities, for
others it’s carving out of a sanctuary. For the lucky few, the work they
do is itself a fulfillment of the dream - they enjoy every moment of it
and if it’s paid, then they’ve arrived at Nirvana.
Right.
So we’ve done our calculations. We will be practical, hard nosed and
disciplined to stamp our dream on life. No compromise. We will have to
work at least part-time to support ourselves. Economise, do without little
luxuries, maybe one or two necessities, maybe even dip into our savings.
Whoever said dreams come cheap?
So
when I saw the cucumber-coloured room by chance, overlooking the remnants
of the felled Bagshot House and stumps - and what a remnant! a massive
Samaan tree with its long vines floating in an old world breeze, perfectly
framed in the cream and emerald green curtained latticed window - I saw a
passage leading to my own deepest impulses. A place to write,
uninterrupted, to be still. Sanctuary!
The
human heart is made up of so much yearning, for love, for money, for
beauty, for fame, for recognition, for excitement, for comfort, for
diamonds and silks, for having what everyone else has and more, and making
sure that everyone else knows they have more. And people who understand
marketing recognise that human beings will take many roads, any shortcut
to assuage yearning.
But,
are material things the road to real happiness, or are they like drugs, a
shot in the arm here and there, a band aid, to keep you going? Do they
stop you from examining your deepest impulses, drawing from the core of
your being? Can you have both? Probably, but we all know how easy it is to
be sucked into the addictive and potent vortex of the material world, so
we can forget who we are and why.
But
now that I am established, in this room, with nothing but blank pages
ahead of me, yearning is suspended for this moment. If this is all there
is for now, I think, looking at the vines swaying in and out of my window
frame, in an old world breeze, then that’s enough.
Life,
the real world, will intervene as it always does. Ugly apartment blocks
and concrete car parks will replace these vines, and if I walk up to the
window, I will see the large tree stumps, the harsh yellow heat of lost
shade, the profanity of concrete. But right this second, the lawn dappled
in moving light and shade, two emerald-coloured iguanas clambering up this
trunk to loll on the wide spreading branches above, the distinct trill of
a bright bird, the moment is filled, the dream possible.
I
would like to think that in everyone’s life, there is a point - seconds,
a moment, some hours, day - where there is respite from yearning, a state
of unadulterated grace.
