|






Quick Links
1995, 1996,
1997
1998, 1999,
2000
2001, 2002,
2003
2004, 2005,
2006
2007, 2008,
2009
2010, 2011
| |
| Category: Reflections |
02 Aug 09 |
|
It was becoming an embarrassing obsession, this disappearing
into my bedroom from 7.30 to 9.30 every evening. It’s difficult to explain.
Innovative ways have to be found to refuse evening invitations. Going to the
movies was almost always out; phone calls were rushed; visitors not
encouraged. The obsession began when I was desperate for some type of
diversion from studying for my law finals. It began with a half-an-hour and
then escalated to two-and-a-half hours. It was affecting my family life.
Indian soap operas do that. They draw you in, with beautiful clothes,
dramatic dialogue, gripping plots where the protagonist, usually a young
beautiful girl, is terrorised by some evil force.
Indian
society sifts through its traditions, the ones that terrorise, and the ones
that honour human beings and families. In one, a poor village girl is sold
off (under the delusion that she was going to her husband’s home to whom she
was married as a child) to a rich landowner’s son to bear a son for the
family. She is enslaved; escapes; hunted down like an animal, trapped in a
prostitution ring; discovers that her parents needed to sell her to make the
lives of the other children. She lands back in the home of the landowner,
acknowledging to him and herself that she has re-entered the home as a
paid-for object, without soul and dead childhood dreams. A mistress. In
another, a young girl’s parents find that because they failed to educate
their eldest daughter (a source of shame even among India’s relatively poor
middle class), it is difficult to find a suitable boy for her.
Their son
and daughter-in-law live with them. Education is promoted in this oblique
way. So is a “joint family” where the elders are respected as the heads of
the family, supporting young couples and their children. Everyone is
expected to take care of everyone else. Then there is the soap where a
couple’s life is changed forever, after the husband’s one night of adultery
in an otherwise happy five-year marriage leaves him caring for an autistic
child after the child’s mother dies in a car crash. Here we see an Indian
hero in a seldom-seen avatar: that of a husband who atones for his
infidelity by sleeping on the floor; who takes care of his autistic daughter
while trying to mend his marriage; educates himself on autism; organises his
sister’s wedding, and holds down a job in a bank with integrity, despite
pressures to take bribes.
The wife
works. She drives, she being the daughter of wealthy parents, leaves and
returns at her will. She puts her adulterous husband out of their marital
bedroom, but comes home for the sake of their son. It’s indicative of a
changing India. By taking responsibility to get his sister married, the hero
is steeped in tradition. By coming home his wife shows her commitment to her
son and family life. By educating himself on autism, the husband fights his
own ignorance and that of the people around him. These serials, although
highly-stylised, and excruciatingly slow, and not entirely reflective of the
modern and secular India of the metros where women work and live alone, are
often morality stories. They are glue for many who feel misplaced, a map for
living decently, a cautionary tale against superstition and oppression. They
are a powerful tool in maintaining an identity for a people.
Ever since I
became hooked (I fool myself that I watch only to improve my Hindi) I
wondered about our own soaps. What soaps could we send abroad to our
yearning West Indian diaspora from London to Toronto who eagerly scan the
Internet for news of home, for the remembrance of language and a culture of
which they see disappearing in their children. They would not see any Trini
soaps, because despite our wealth, we don’t produce any local programmes. We
don’t develop our nationalism, our sense of belonging, our dialogue in this
way. Our diaspora would, on the Internet, perhaps, be hooked to the “soaps”
of the Opposition and the Government. They would say to their children:
“This is the soap of the government. Every few years the Prime Minister
announces that his life is under threat.
“This is
your opposition. They are squabbling for spoils that don’t exist; for a
meaningless power because the opposition has no impact on the people, or
governance. They are mimic men and women, using words like “ethnic
cleansing,” blind to the people who live on the streets, line up for
transport in the floods, take taxis, wait in hospitals.” Here, I offer an
idea for a soap. In the grocery today, I saw an old woman with watery eyes.
In her thin hands she held a piece of cheap meat and hops. I saw her eyes
take in the bounty of a businessman’s large basket, and she simply stood
there, as if frozen. What is happening to our elderly? Another soap. I see a
15-year-old boy with empty eyes. His mother tells me he hasn’t been to
school for six months and it’s unlikely he will return.
He used to be first in his class
and wanted to be an electrical engineer. He was stabbed on his way to school
one day for his phone, which wasn’t worth more than $60. Now, he just
stands, and looks and waits. Everybody can be bought here, everyone can be
sold. It’s a soap that will never be made. We will never make them. Not for
the next 100 years, because our people’s tongues have been cut off. They are
mute. Over 500,000 people stand on our islands, unable to utter a sound
because they are illiterate. Those who do have a voice are intimidated by
our Prime Minister, who doesn’t realise that nobody has anything against
him; that the media are merely a reflection of the people. And the people
are mute; dependent on Cepep programmes, uneducated, dying in our hospitals,
killing one another, puppets of the powerful, diverted by petty political
in-fighting and grandiose statements. Today’s soap in T&T? Nothing. A
disconnected flickering set of chaos and nothingness.
|
|